Skin embroidery.

Duy Anh Nhan Duc
Etamine - OOB Mag | Photography by Isabelle Chapuis.

Skin embroidery.

Duy Anh Nhan Duc

Etamine - OOB Mag | Photography by Isabelle Chapuis.

 

The Anatomy of Movement” by Diago Mariotta Mendez.

 

The Anatomy of Movement” by Diago Mariotta Mendez.


I’ve permitted myself to learn and to fail with some regularity. And that is probably the one thing I was given, and that I’m still grateful for.

― John Malkovich
Photograph by Sandro Miller | The “Malkovich, Malkovich, Malkovich: Homage to photographic masters“ project.

I’ve permitted myself to learn and to fail with some regularity. And that is probably the one thing I was given, and that I’m still grateful for.

 John Malkovich

Photograph by Sandro MillerThe “Malkovich, Malkovich, Malkovich: Homage to photographic masters project.


Turn the lights on.

Turn the lights on.


A economia da felicidade
#4 prepare o terreno para fazer o que lhe traz alegria.

Illustration by Yes I do concept.

A economia da felicidade

#4 prepare o terreno para fazer o que lhe traz alegria.

Illustration by Yes I do concept.


A economia da felicidade
#3 preste atenção de forma selectiva.

Unsigned photography.

A economia da felicidade

#3 preste atenção de forma selectiva.

Unsigned photography.


A economia da felicidade
#2 não se deixe distrair pelo óbvio.

Photograph by Alan Gelati for Harper’s Bazaar Russia June 2014

A economia da felicidade

#2 não se deixe distrair pelo óbvio.

Photograph by Alan Gelati for Harper’s Bazaar Russia June 2014


A economia da felicidade
#1 ter noção daquilo que é possível.

Photograph by Giampaolo Sgura for Vogue Japan October 2014.

A economia da felicidade

#1 ter noção daquilo que é possível.

Photograph by Giampaolo Sgura for Vogue Japan October 2014.

So many people are gonna give you endless amount of shit and then you just can’t care because for every person that gives you shit there’s a hundred people that are just there having an amazing time.

22:08

It’s unbelieavably true how urbanism and music can be the 2 players of a game we proclaime to be in the name of better cities.

DIIV filmed the official video for Doused at 285 Kent.

Read more about the 285 Kent venue here.


If you pay peanuts, you get monkeys. Stand for your work.

Read more here

If you pay peanuts, you get monkeys. Stand for your work.

Read more here

Cabaret Voltaire - Crackdown (Radio Edit 83)

Crackdown (Radio Edit 83) is taken from Cabaret Voltaire’s new compilation #7885 (Electropunk to Technopop 1978 - 1985) on Mute on 23 June 2014 (UK) / 1 July (US)

#7885 (Electropunk to Technopop 1978 – 1985) compiles two distinct periods of Cabaret Voltaire - 1978-81 and 1983-85 – for the first time together on one release and follows the re-mastered vinyl release of Red Mecca and already legendary and sold out box set, #8385 (Collected Works 1983 – 1985).

Featuring classic tracks such as Nag Nag Nag, Do The Mussolini (Headkick), Sensoria, Landslide, I Want You and Just Fascination, #7885 (Electropunk to Technopop 1978 – 1985) was curated by Richard H Kirk who explains, “I decided to gather the more concise elements of the work… Hence the choice of 7” singles, edits and shorter album tracks, a kind of sound bite take on CV.”

https://www.facebook.com/CabaretVoltaireOfficial


“Futures not achieved are only branches of the past: dead branches. ” 

― Italo Calvino, Invisible Cities

“Futures not achieved are only branches of the past: dead branches. ” 

― Italo CalvinoInvisible Cities

humansofnewyork:

"Do you know what you want to be when you grow up?""A person."

A hundred years from now, when people look back at this period, they will marvel at the stupidity of it all: the stress, the motion sickness, and the self-neglect we put ourselves through.
― Greg McKeown

humansofnewyork:

"Do you know what you want to be when you grow up?"
"A person."

A hundred years from now, when people look back at this period, they will marvel at the stupidity of it all: the stress, the motion sickness, and the self-neglect we put ourselves through.

 Greg McKeown

When did the future switch from being a promise to being a threat?

― Chuck Palahniuk

Type 3.

Type 3.